Arts feature

Conduct unbecoming: clockwise from top left, Leonard Bernstein, Wilhelm Furtwängler, Charles Dutoit and James Levine

The sex lives of conductors

20 January 2018 9:00 am

Norman Lebrecht on classical music’s dirty secret

Premier performance: Gary Oldman as Winston Churchill

Andrew Roberts’s guide to Churchill on screen

13 January 2018 9:00 am

Andrew Roberts on the challenges of playing Churchill

Claude Debussy and his daughter Chouchou near Arcachon, France, 1915

Debussy, Tippett and Wagner: the musical treats of 2018

6 January 2018 9:00 am

Richard Bratby on the musical treats in store over the year to come

There’s something about Mary: ‘Madonna of the Rosary’, 1539, by Lorenzo Lotto

The time has come for one of the most fascinating and idiosyncratic Renaissance artists

16 December 2017 9:00 am

Lorenzo Lotto was overlooked by 16th-century Venice, but now, says Martin Gayford, his time has come

Leslie Nielsen and Jeannette Charles in The Naked Gun

From good witch to female Alan Bennett: the Queen on the big screen

9 December 2017 9:00 am

Good witch, victim or female Alan Bennett? Tanya Gold on how Elizabeth II has been portrayed on screen

Monkey business: Jane Goodall

An exceptional new film about Jane Goodall unearths a remarkable love story

2 December 2017 9:00 am

Mary Wakefield talks to the director Brett Morgen, whose film about Jane Goodall tells a remarkable love story

‘A Cellar Dive in the Bend’, c.1895, by Richard Hoe Lawrence and Henry G. Piffard

A short history of flash photography

18 November 2017 9:00 am

A short history of flash photography, by Kate Flint

François Cluzet as paraplegic billionaire Philippe and Omar Sy as his carer Driss in Untouchable (2011)

Why does so much disabled theatre and film still treat us like victims to be pitied?

11 November 2017 9:00 am

Does disability make a difference to art – or does art transcend disability? Selina Mills reports

The forgotten history of the Tube’s ‘poster girls’

4 November 2017 9:00 am

Lara Prendergast celebrates the ‘poster girls’, the little-known women artists who helped to emancipate the London Underground

‘Soviet Union Art Exhibition’, Zurich 1931, by Valentina Kulagina

How I fell under the spell of Soviet propaganda posters

28 October 2017 9:00 am

Fraser Nelson on how he – and so many others – fell under the spell of Soviet propaganda posters

Tyrone Singleton and Jenna Roberts in MacMillan’s Concerto

Kenneth MacMillan: the dark genius of British ballet – its destroyer, if you listen to some

21 October 2017 9:00 am

The 25th anniversary of Kenneth MacMillan’s death is finally giving us something to celebrate – and about time too, says Ismene Brown

‘Pastry Cook of Cagnes’, 1922, by Chaïm Soutine

The painter who devoted himself to turning kitchen-weary men into kings and popes

14 October 2017 9:00 am

Chaïm Soutine turned kitchen-weary men into monarchs and popes, says Laura Freeman

‘Logar Province’, 1984, by Steve McCurry

What's it like to have created the world's most famous photograph?

7 October 2017 9:00 am

The photographer Steve McCurry talks to Mary Wakefield about the ethics of making pain look pleasing

Divine comedy: even if Larry David is as big a prize twonk in real life as he is on Curb we can hardly begrudge him for it

The hilarity – and horror – of Curb Your Enthusiasm

30 September 2017 9:00 am

James Delingpole celebrates the unrivalled hilarity – and horror – of Curb Your Enthusiasm

iPhone 8 Plus, unveiled last week at the new Steve Jobs Theater at Apple Headquarters, Cupertino, California. The new features include a Retina HD display, A11 Bionic Chip and wireless charging

How the iPhone came to rule the world

23 September 2017 9:00 am

Rory Sutherland doesn’t have an iPhone. But he knows why you do

Tears of a clown: ‘Clowns hate Stephen King. They blame him for the “creepy clown” epidemic, which has led to multiple clown arrests’

The genius of Stephen King

16 September 2017 9:00 am

The genius of Stephen King, by his number one fan Tanya Gold

An out-of-work steel worker walking through Port Talbot, 1964

Welsh noir: How Port Talbot became the drama capital of Wales

9 September 2017 9:00 am

Why, as well as steel, does the Welsh town produce great actors? Jasper Rees reports

Ira Aldridge as Othello, painted in 1826 by James Northcote

The first black actor to play Othello was also one of the greatest

2 September 2017 9:00 am

Robert Gore-Langton celebrates Ira Aldridge, the first black actor to play Othello

‘Mum On The Couch’, 2017, by Gary Hume

‘The abstract paintings all went in the bin’: Gary Hume interviewed

26 August 2017 9:00 am

There is more to the artist Gary Hume than glossy surfaces, as Martin Gayford finds out when he meets him

Pat and Richard Nixon in ENO’s 2006 production of John Adams’s Nixon in China

The woman who changed the direction of opera

19 August 2017 9:00 am

Philip Hensher on the woman who changed the direction of opera

Sorted for E’s and whizz: revellers at a Tribal Dance rave, M25 Orbital, East Grinstead, August 1989

Thirty years ago, Britain gave the world rave culture

12 August 2017 9:00 am

Arthur House celebrates the rise of rave culture

Scabrous and sarcastic: singer-songwriter Randy Newman

‘Things are less liberal than they used to be’: Randy Newman interview

5 August 2017 9:00 am

Randy Newman tells Michael Hann that he wouldn’t get away with his more troubling songs nowadays

Miranda Richardson in Robert Wilson’s 1996 production of Orlando for the EIF

Why I avoid Edinburgh International Festival

29 July 2017 9:00 am

Lloyd Evans says Edinburgh continues to get bigger (if not better) at 70, but the International Festival has had its day

How James Ivory made Howards End

22 July 2017 9:00 am

As one of his greatest films returns to the cinema, James Ivory talks to William Cook about his 50-year career

Band apart: conductor John Wilson, whose orchestra boasts some of the best wind and brass players on the planet

The joy of the John Wilson Orchestra

15 July 2017 9:00 am

Richard Bratby meets the conductor John Wilson, who thinks we should take Gershwin as seriously as we do Beethoven